Watch with 8 Complications
Patek Philippe & Cie.Genève,
made in the 1980s.
Watch with 13 Complications
Patek Philippe & Cie., Genève,
“Grande Complication”,
made in the 1980s.
Watch with 4 Complications
Patek Philippe & Cie. Genève,
made in the 1950s.
Exceptionally fine and important, astronomic 18K gold pocket
chronometer with detent escapement, moon phases, perpetual calendar
and minute-repeater.
Exceptionally fine and important 18K gold astronomic pocket
watch with moon phases, clockwatch, perpetual calendar, split-second chronograph
with counter and minute-repeater.
Rare, astronomic 18K gold dress watch with moon phases
and digital perpetual calendar.
Spanning the period between the 16th and 20th centuries,
the Theodor Beyer Private Collection
includes over 200 timepieces of exceptional technical, aesthetic and artistic
quality. It is a
collection which will undoubtedly attract the interest of collectors and amateurs
worldwide.
The Beyer Watch Museum on the Bahnhofstrasse in Zurich
and the Private Collection of Theodor Beyer are a collector’s dream.
Theodor Beyer died last July but his memory lives on through the exceptional
pieces in his collection. Antiquorum is to auction the Theodor Beyer Private
Collection in Zurich, at the Hotel Baur au Lac, on 16 November 2003.
Ita Mc Cobb
Marketing and
Communications
‘To those in the know, Theodor Beyer was the reference,
an example of passion, of love of work well
done, and a gentleman in the world of horology.
These qualities created a halo of the highest professionalism around Chronometrie
Beyer and the Beyer Museum. As with the precise qualities he so much
appreciated in the watch
pieces he loved, he was also precise, kind and jovial in
his affairs; characteristics that were appreciated by both his clients and
his suppliers.’ Osvaldo Patrizzi, President of Antiquorum.
This unique sale represents more than 40 years of Theodor Beyer’s passion
for clock and watch collecting. Theodor Beyer carefully sought the best and
most technically discriminating timepieces made by the greatest masters from
every century. Unlike many collectors he didn’t focus his attention
on one aspect or era of horology; technical, artistic, cultural and historical
aspects were all of equal importance to him.
A long connection with the world of horology
The House of Beyer has had a long connection with the world of horology beginning
in 1760 when Stefan Beyer started his workshop in Feuerthalen.
He used to retail wooden and iron clocks made by local craftsmen, making any
necessary repairs himself. Around 1800 he moved the business first to the
Rindermart, in the old part of the city of Zürich, and then again, in
1850, to the fashionable Limmätquai.

A very fine amboyna burr clock driving an orrery, constructed
according to the heliocentric
model by Zacharie Raingo, circa 1830. The hours and half hours are struck
on two bells with a
single hammer, every half hour repeating the hour in full with a different
tone. It is the striking
mechanism which activates the orrery, whose going barrel is of four years’
duration.
Estimate: SFr 200’000-300’000. (US$ 150,000-200,000)
In 1875 Chronometrie Beyer was one of the first businesses
to move to the Bahnhofstrasse. But it was only after expansion of the shop,
in 1970 and 1981, that Theodor Beyer finally had sufficient space to create
a public museum for his collection.
In 1839 Chronometrie Beyer was the first client of the house of Patek Philippe
and the young Theodor Beyer soon became a very close friend of the Stern family.
‘Teddy Beyer was someone special,’ says Philippe Stern, ‘I
suppose everyone would say this, but he really was. Not just because of his
love of watchmaking, but also because of his many other interests in life.
He was very cultivated. He was a real gentleman in the true sense of the word,
not only towards my family, but also as a friend. He could be very funny,
very open. He liked to make a few jokes and, although he didn’t look
like it, he was very spirited, very sincere, and very loyal. If he said something
it was said and finished – he would never change his mind. His word
was his bond. I also feel he had a real love for Patek Philippe, maybe more
than for any other brand. Teddy always used to tell the story that Patek Philippe
was naturally a part of his life, because it is where his grandfather met
his grandmother! Although Teddy Beyer knew everything about watchmaking, he
was not someone who flaunted his abilities, he was a very humble man. I learned
a lot from attending auctions with him. His human qualities and his technical
qualities were well above anybody else’s.’ Theodor Beyer studied
watchmaking and was first apprenticed at Patek Philippe. His understanding
of the interior mechanisms of watches was equally as comprehensive as his
understanding of their external aesthetic qualities – knowledge which
conferred on him the enviable reputation of ‘Grand Connoisseur’.
‘During our many conversations together he told of his experiences while
working at Patek Philippe where he had had the good fortune to work with both
André Bornand and André Zibach, (the famous experts of precision
timepieces who helped perpetuate the lasting tradition of the house of Patek
Philippe). He also told me of the personalities he had met, esteemed and much
appreciated friends such as André Heiniger and Jacques Duchêne
of

“The Forge of Love”,
Robert & Courvoisier,
No. 79905, circa 1795.
A
very fine and rare 18K gold,
threetrain quarter-repeating, virgule
escapement
watch with independent automaton movement.
Estimate: SFr 30’000 – 50’000
(US$ 23,000 – 38,500).

Rolex,’ says Osvaldo Patrizzi. ‘Listening with
admiration to the stories of Theodor Beyer, I became like a child, fascinated
by this man, with his simplicity and his gentleness, sharing his memories,
allowing me to relive his life with him. This helped me to reinforce my own
convictions and my interest in our shared world of watchmaking, the art of
watchmaking, and the men that built this world.’
His great friend and fellow watch connoisseur, Oscar Schwank, remembers the
pleasure and camaraderie they shared. ‘I knew him for over 40 years.
We both had similar businesses (except that his was established and I was
a beginner) and we both collected clocks and watches. Auctions are like a
game, but in those times if you went to an auction you always had a chance
to find something special. I particularly remember an auction in New York,
about 25 years ago. Over lunch he asked me if I was interested in a particular
clock. I said, ‘Yes.’ It was a nice 17th century clock, but the
people from the auction house were not sure and had changed the description
to ‘19th century’ during the exhibition. So everyone else, except
he and I, immediately lost interest in it.
He said to me, “Do you want it for yourself?”
I said, ‘Yes.’ So he said, “Take it.” I got it for
a very cheap price and it is still one of the nicest things I
have in my collection. It is a 17th century astronomical clock, with all the
indications, a very nice clock. Theodor was just like that, no argument, no
meals, no money, a real friend and gentleman.’ Jean-Claude Sabrier,
watch expert, remembers Theodor Beyer’s sense of fun. ‘At one
sale Teddy was wearing a postman’s hat, a bit like a Tyrolean hat with
a feather, and he was laughing. He was bidding in the room against another
man. The more Teddy pushed up the price the more he laughed. Eventually the
other man bought the watch, but Teddy was so happy, he was really enjoying
the fun.
Christian Pfeiffer-Belli recalls the many trips they took together with various
horologic associations, seeking out little known timepieces and spending hours
of pleasurable discussion with likeminded people. ‘He carefully sought
the best and most technically discriminating timepieces made by the greatest
masters from every epoch. Technical, artistic, and cultural historical aspects
were of equal importance to Theodor Beyer, whose collection also featured
several Zürcher watches.
There’ were a number of collectors who more or less blindly trusted
Teddy Beyer, thus enabling him to build up and care for several collections
in the years prior to his death.’ Jacques Duchêne of Rolex
Oudin, “Eleve de Breguet, Rue Vivienne
No. 7, No. 253”, dated AN 1806.
An exceptionally fine and rare 20K gold double-barrel
self-winding perpetuelle watch with quarter-repeating,
60-minute power reserve indication, thermometer,
and Robert chronometer-lever escapement. Provenance: King Faruk Collection.
Estimate: SFr 200’000 – 300’000 (US$ 150,000 –
200,000).
“The Theater”,
Henry Capt à Genève,
No. 309, circa 1810.
A
highly important and exceptionally
rare 18K gold and enamel doubleface,
triple-train, musical, double-
automaton
watch, quarter-repeating with provision for tact repeating and concealed erotic
automaton scene.
Estimate: SFr 80’000 – 120’000
(US$ 58,000 – 87,000).
also recalls Theodor Beyer’s expertise, ‘Over the 40 years
of friendship, I came to appreciate his outstanding and warm personality.
He was a great connoisseur of watchmaking with exceptional expertise in
collecting old timepieces.
Many interesting tales to tell
There are many interesting stories surrounding the collecting escapades
Beyer. Alan Banbery, former Curator Patek Philippe Museum, recalls, Beyer
was a highly respected businessman and this, along with his sense of infectious
laugh, made him a redoubtable rival in the watch auction rooms the world.
I recall one occasion when we both coveted an extremely rare ‘Sympathique’
table clock. Teddy eventually claimed victory and triumphantly announced
that he had, for many years, owned the original watch that belonged to that
clock! Certainly a worthwhile and satisfying acquisition!’ Christian
Pfeiffer- Belli remembers an occasion on a trip to the Hermitage in St Petersberg,
‘Each of us headed off in different directions to seek out the most
interesting timepieces, to return a few minutes later, with treasures in
hand, to meet again at a large table in the center. Teddy Beyer had discovered
a large octagonal wooden case which he thought might contain an early John
Arnold marine chronometer, but which, to our mutual surprise, turned out
to be an octagonal table clock. It bore an insignia identifying it as being
from Königsberg, it was equipped with a seconds hand, and it probably
dated from the early 17th century. I clearly recall how the unusual motion
that occurred when the clock was carried caused it briefly to come to life.
Watching the large blue centrally axial seconds-hand as it arced through
a few increments across the dial, Teddy exclaimed, “That’s surely
the earliest timepiece with a seconds-hand that I know of!” He would
no doubt have gladly paid a pretty penny for it, and immediately integrated
it into his collection.’ Such times were very precious to Theodor
Beyer. ‘My father’s membership in various horologic associations
such as the ANCHA, NAWCC and the British Horological Society was what kept
him going in his last years,’ recalls René Beyer, ‘he
really valued these friendships and the sense of camaraderie he had with
these people and he very much enjoyed their company. For my father these
times were very special. It allowed him to travel the world indulging his
passion and achieving his vision – enjoying the ‘glory days’
for collectors of horology.’ As the sixth generation of retailers
of horology, Theodor Beyer left to his son, René, the legacy of a
world renowned shop, a jewel of a museum, with an enormous variety of exhibits,
and a Private Collection. René Beyer took over control of the company
in 1996, having worked with his father since 1985, and is well aware of
the responsibility such a heritage brings with it and the importance to
invest in and maintain his father’s museum for the benefit of future
generations.
The Private Collection of Theodor Beyer represents more than 170 individually
selected pieces, many purchased for their important place in the history
of horology and others for their curiosity value.
These works, which cover the history of horology from the 15th century to
1986, will be sold by Antiquorum on 16 November 2003 at the Hotel Baur au
Lac in Zürich, with previews in New
York 24th - 25th October, at the Tourneau Time Machine, in Tokyo 31st October
to 1st November, at Toshi International, in Geneva 4th – 7th November,
at Antiquorum’s showroom, 2 rue du Mont Blanc, and in Zürich
as of 13th November at Chronométrie Beyer and the Beyer Museum.

Detail of the Oudin movement
with its oscillating weight.
Urban
Jürgensen, No. 353,
“CCCLIII, No. VIII”, made in 1810.
An exceptionally fine and rare large silver freesprung deck chronometer with
helical gold balance spring, and regulator dial, in its original mahogany
fitted box.
Estimate: SFr 60’000 – 80’000
(US$ 46,000 – 62,000).
“Westminster chimes”.
Edouard JeanRichard, Le Locle, No. 3687/36891, circa 1915. A very
fine and very rare 18K gold hunting-casedkeyless astronomical minute-repeating
carillon watch with Westminster chimes on four gongs,perpetual calendar, phases
of the moon, chronograph and 30-minute instantaneous register.
Estimate: SFr 60’000 – 80’000 (US$ 46,000 –
62,000).
Patek Philippe & Cie, Genève, Ref 1463, 18K gold, made in the
1950s.
Estimate: SFr 120’000 – 140’000
(US$ 95,000 – 110,000).
Patek Philippe & Cie, Genève, Ref. 130, 18K gold,
made in the 1950s.
Estimate: SFr 30’000 – 40’000
(US$ 23,000 – 30,000).
Patek Philippe & Cie, Genève, Ref. 130,
18K gold, made in the 1950s.
Estimate: SFr 30’000 – 40’000
(US$ 23,000 – 30,000).